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Music is an integral part
of the life, worship
and ministry
of the Cathedral.


 

 


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The ABCs of What We're Singing


Kyrie Eleison: 
One of the oldest prayers of the Church, dating from the earliest days of Christianity (hence the Greek: Kyrie Eleison = “Lord have mercy”).  In the Bible, it is found frequently in the Psalms, and is echoed in the pleas of those who beg healing from Jesus in the gospel accounts of Matthew, Mark, and Luke.  Taken up by us at the start of every mass, it is the universal cry of the Church for the mercy of God – for us, for those we love, and for this world – as we come into God’s presence to worship Him.

Sanctus and Benedictus:  Sanctus is the Latin word for “holy”.  The words of this hymn come from the prophet Isaiah’s vision of the heavenly hosts worshipping God: “Holy, holy, holy, is the LORD of hosts: the whole earth is full of his glory.” (Isaiah 6:3). At the moment in the mass when we sing these words, we fall to our knees, because our worship joins in a very real way with the worship in heaven, our voices with those of the angels.  The second part of this hymn begins with the words Benedictus qui venit = “Blessed is He that cometh”.  These are the words with which the people of Jerusalem welcomed Jesus on Palm Sunday: “Blessed is he that cometh in the name of the Lord; Hosanna in the highest.” (Matthew 21:9)  We sing them at this moment in the mass to welcome Jesus into our midst as He brings to us, in the Holy Eucharist, the very life He poured out for us that week in Jerusalem. “How beautiful on the mountains are the feet of him that bringeth good tidings…” (Isaiah 52:7).
 
Agnus Dei:  (Agnus Dei = “Lamb of God”) A hymn dating from the 7th century but drawn from the Bible.  For the ancient Hebrews, the blood of a lamb was the instrument of God’s deliverance, through which the Lord spared His people from death and rescued them from slavery in Egypt (cf. Exodus 12).  The Jewish people were to remember this event every year at the feast of the Passover, when the sacrificial lamb became a sign of God’s redemption.  This is why Christians came to see Jesus as the Passover Lamb, the ultimate sign of God’s redemption.  After the great thanksgiving and consecration of the mass, before we rise from our knees to share in the communion, we are invited, with the words of John the Baptist, to adore the Lamb, Jesus our redeemer, who gave His life so that we might know how immeasurably we are loved. “Behold the Lamb of God, which taketh away the sin of the world.” (John 1:29)
 


Kyrie Eleison: 
One of the oldest prayers of the Church, dating from the earliest days of Christianity (hence the Greek: Kyrie Eleison = “Lord have mercy”).  In the Bible, it is found frequently in the Psalms, and is echoed in the pleas of those who beg healing from Jesus in the gospel accounts of Matthew, Mark, and Luke.  Taken up by us at the start of every mass, it is the universal cry of the Church for the mercy of God – for us, for those we love, and for this world – as we come into God’s presence to worship Him.

Sanctus and Benedictus:  Sanctus is the Latin word for “holy”.  The words of this hymn come from the prophet Isaiah’s vision of the heavenly hosts worshipping God: “Holy, holy, holy, is the LORD of hosts: the whole earth is full of his glory.” (Isaiah 6:3). At the moment in the mass when we sing these words, we fall to our knees, because our worship joins in a very real way with the worship in heaven, our voices with those of the angels.  The second part of this hymn begins with the words Benedictus qui venit = “Blessed is He that cometh”.  These are the words with which the people of Jerusalem welcomed Jesus on Palm Sunday: “Blessed is he that cometh in the name of the Lord; Hosanna in the highest.” (Matthew 21:9)  We sing them at this moment in the mass to welcome Jesus into our midst as He brings to us, in the Holy Eucharist, the very life He poured out for us that week in Jerusalem. “How beautiful on the mountains are the feet of him that bringeth good tidings…” (Isaiah 52:7).
 
Agnus Dei:  (Agnus Dei = “Lamb of God”) A hymn dating from the 7th century but drawn from the Bible.  For the ancient Hebrews, the blood of a lamb was the instrument of God’s deliverance, through which the Lord spared His people from death and rescued them from slavery in Egypt (cf. Exodus 12).  The Jewish people were to remember this event every year at the feast of the Passover, when the sacrificial lamb became a sign of God’s redemption.  This is why Christians came to see Jesus as the Passover Lamb, the ultimate sign of God’s redemption.  After the great thanksgiving and consecration of the mass, before we rise from our knees to share in the communion, we are invited, with the words of John the Baptist, to adore the Lamb, Jesus our redeemer, who gave His life so that we might know how immeasurably we are loved. “Behold the Lamb of God, which taketh away the sin of the world.” (John 1:29)
 
Music This Sunday


Music information for Sunday
liturgies is usually confirmed
by Thursday evening


THE FOURTH SUNDAY AFTER EPIPHANY
Sunday, January 29, 2012

9:00am Sung Eucharist
Sung by the Parish Choir
Prelude: First short piece in A minor - Wesley
Motet: I will praise thee, O Lord - Baker
Postlude: Second short piece in A minor - Wesley

11:00am Choral Eucharist
Sung by the St James Cathedral Choir
Prelude: Two short pieces in A minor - Wesley
Mass: Missa Iste confessor - Palestrina
Motet: Sing joyfully - Byrd
Postlude: Postlude in C - Smart

4:30pm The Commemoration of the 60th Anniversary Diamond Jubilee of the Accession of Her Majesty The Queen
Sung by the St James Cathedral Choir
Responses: Responses with Royal Suffrages - Ager
Setting: Collegium Regale - Howells
Anthem: Zadok the Priest - Handel
Postlude: Nimrod - Elgar


Interim Director of Music: Andrew Adair
Interim Choral Director: Vicki St. Pierre


Music information for Sunday
liturgies is usually confirmed
by Thursday evening


THE FOURTH SUNDAY AFTER EPIPHANY
Sunday, January 29, 2012

9:00am Sung Eucharist
Sung by the Parish Choir
Prelude: First short piece in A minor - Wesley
Motet: I will praise thee, O Lord - Baker
Postlude: Second short piece in A minor - Wesley

11:00am Choral Eucharist
Sung by the St James Cathedral Choir
Prelude: Two short pieces in A minor - Wesley
Mass: Missa Iste confessor - Palestrina
Motet: Sing joyfully - Byrd
Postlude: Postlude in C - Smart

4:30pm The Commemoration of the 60th Anniversary Diamond Jubilee of the Accession of Her Majesty The Queen
Sung by the St James Cathedral Choir
Responses: Responses with Royal Suffrages - Ager
Setting: Collegium Regale - Howells
Anthem: Zadok the Priest - Handel
Postlude: Nimrod - Elgar


Interim Director of Music: Andrew Adair
Interim Choral Director: Vicki St. Pierre